Interview With The Author

I would say that because the story was inspired by true events, the creative process came naturally to me. The story of Salou started many years back when I was still a young girl living with my parents in Yaoundé, Cameroon. Crouched behind the large curtains fencing the bedroom quarters from the living room, I would listen with all the attention of an 8-year-old to the love story of a young French doctor, a colleague of my father, who flew all the way from Paris to his fiancée’s country in Africa, to ask for her hand in marriage. So, five years ago, when I decided to write my first novel, images of this episode of my childhood resurfaced and enticed me to put down on paper this story that captivated me so much.
I witnessed oral accounts of the original events, and they vividly stuck with me, until I decided to write. And then, when I researched genres that could fit Salou, I couldn’t find anything close to it. I knew that this story would go beyond the usual hard limits of genres but welcomed the challenge and embarked on the journey. Not without apprehension — because you do have some when you enter uncharted territory, but with excitement and determination to frame it and make it happen.

What would be construed as a research process is actually the many years I spent in many countries spanning several continents, first as the daughter of a World Health Organization (WHO) physician, and later as a student and professional conference interpreter who overall visited 46 countries and 4 continents. The knowledge I gained — the cultures I came to discover and embrace, the languages I learned, the settings and landscapes I saw, the cities and villages I visited, the roads I traveled, all contributed to writing the story of Salou. In fact, the one piece of research I had to formally conduct was related to the context and background of contemporaneous political events which actually took place in Guinea that provided an historical backdrop to the story.

To be completely honest, it was quite a challenge. When you — as the author — have to get in the head of a character who has lost all sense of identity, from coma to retrograde amnesia, the task is daunting. First, you need to have a clear picture of the situation in which your character is, medically and psychologically. And then, you need to step into her shoes to try to feel what it is to be comatose and amnesic. Being a physician in training helped me tremendously to navigate those waters. I did perform additional research and consulted with surgeons to make sure the medical part of the story was without faults.
At the same time, you, the author, need to create enough space between yourself and your character to write with observing eyes. As a writer, one manages different emotions, feelings and thoughts. It is therefore important to strike the right balance between “hopping into a character’s head” and keeping the necessary distance to lead the story the way a conductor would an orchestra. Challenging indeed. 

I would say that for Salou, it was a mix of both. The fact that the story was inspired by true events helped greatly in having a good idea of the way it should be shaped in terms of content and drama, but a lot of details came along the way as the characters came to be. Also, from the start, the story was built as a movie, with a cast of inspirational faces in mind that were carefully picked, put on a story board and kept in mind and perspective as the story evolved. I still smile at this unusual process. For example, the character of Sheikh Kassai, Salou’s father, was inspired by Sidney Poitier, and Benjamin, Salou’s lover, by a younger George Clooney. As for Salou, the inspiration came to me from the start — Liya Kebede, an Ethiopian model I admired a lot, and who perfectly matched the way I imagined the heroine of the story.

As you can see, such a process is far from being always linear, but through twists and turns, the plot remained rooted in the well-defined vision. And my husband, Dossevi, did make sure through countless hours spent listening again and again to the story, to bring his contribution with life experiences of his own — to enrich facts and flow.

I think I would be happy if readers could take away from Salou the fact that human beings may face similar life challenges despite their obvious cultural differences and backgrounds, especially when love is at stake. I hope that the book will broaden horizons for those interested in “traveling” in their minds and discovering new cultures, as well as see how a young couple from different backgrounds navigate unexpected life challenges thrown at them in a somewhat arduous context. The perception that “love and persistence can forge not just a more durable blended culture but a profound willingness to weather whatever comes with fortitude and courage” — is at the very core of the message I attempted to convey in Salou.

Yes, I am currently starting to think about a second novel. A love story for sure. I am at the beginning of the process — putting pieces together and getting mentally ready for another journey — which hopefully, will be as fulfilling as the first.